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Wired For: 🎧 Fenvian Child
(`NO COVERS`)
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Where The Hot Water Blooms
(VERSE 1)
The surface of us looking like black glass
A quiet sky, a peace you swore would last
You're selling summer, I'm watching the tide
Got my instruments listening deep inside
You think it's nothing, the change in the air
A dropped degree, a stillness in your stare
But I’ve been logging the pressure and pace
Mapping the fractures all over this place
(PRE-CHORUS)
I keep it steady, a hand on the rail
Following whispers along a toxic trail
You don’t even notice, the tremble and pull
The silence is screaming, the data is full
(CHORUS)
You give me those slow earthquakes
A rumble my bones can't mistake
I read the lines your truth forsakes
Yeah, I feel the fault line shake
Beneath the calm that we assume
I know where the hot water blooms
(VERSE 2)
You used to talk and it sounded like home
Now there’s a new mineral inside the tone
I marked the spot, another pin in the map
Right where the hairline fracture’s in your laugh
You shift your weight and the whole floor groans
A different current is wiring your bones
And I’m the only one taking the heat
Down in the dark, where the plates underneath us meet
(CHORUS)
You give me those slow earthquakes
A rumble my bones can't mistake
I read the lines your truth forsakes
Yeah, I feel the fault line shake
Beneath the calm that we assume
I know where the hot water blooms
(BRIDGE)
One big tremor and this whole seabed splits
Swallow the life we built up bit by bit
So I hold the ceasefire, play deaf to the sound
Pretend I can't feel the burn coming up from the ground
Pretend I don't know what I already know
Just watching the instruments shimmer and show...
(CHORUS - OUTRO)
You give me those slow earthquakes (it's getting warmer now)
A rumble my bones can't mistake (can you feel it now?)
I read the lines your truth forsakes (and the pressure breaks)
Yeah, I feel the fault line shake
There's no more hiding, there's no more room
I know where the hot water blooms
About The Song
This song translates a scientific discovery into a raw, human emotional state. The inspiration came from a news story about scientists using a network to detect 'slow earthquakes'—subtle, deep tremors—to locate previously hidden geothermal vents on the ocean floor. This act of mapping an unseen, powerful system became a potent metaphor for deciphering the slow, almost imperceptible decay of a relationship. The narrator is cast as an emotional seismologist, actively logging the tiny shifts in tone, the subtle changes in pressure, and the hairline fractures in their partner's façade. They aren't just a passive victim of a breakup; they are the sole expert on its underlying cause, feeling the 'heat' from the 'vents' of unspoken truths long before the catastrophic 'quake.' The musical vibe, influenced by the intimate and bass-heavy production of artists like Billie Eilish, creates a claustrophobic, deep-sea atmosphere where these quiet, devastating revelations occur.
Production Notes
Vocals: The lead vocal should be close-mic'd (Neumann U 47) for an intimate, confessional feel in the verses. For the chorus, introduce layered, wide-panned harmonies that are more sighed than sung. The delivery must embody the 'Active Agency Mandate'—it's a vocal of pained discovery, not passive sadness. The performance is one of focused, meticulous observation.
Instrumentation: The track is built on a deep, throbbing sub-bass line (Moog style, 85 bpm) that acts as the primary rhythmic and melodic driver, representing the 'slow earthquake.' A simple, sharp snare (like a LinnDrum) hits only on the 4th beat of each measure, creating tension. Watery, detuned synth pads (think Prophet-5) should wash in and out. The bridge should see the beat drop out, with just a filtered bass and the vocal, creating a sense of underwater pressure before it all returns for the final, intense chorus.
Mix: Keep the lead vocal front and center, almost dry in the verses, then add automated plate reverb throws on key phrases in the chorus ('blooms,' 'shake') to make them explode and decay. The overall mix should feel dark and deep, with the sub-bass physically felt. A slight sidechain compression on the pads, triggered by the kick and snare, will enhance the rhythmic pull.
Performance: The protagonist is actively managing a fragile situation. The vocals aren't about wallowing; they're about the tension of knowing. It’s the sound of someone holding their breath, documenting the evidence of a slow-motion disaster.
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