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Waiting On The Signal
(Intro)
(A low, pulsing synth bass like a deep-water sonar ping. Hazy, washed-out synth pads float on top. A single, clean electric guitar note hangs in the air.)
(Verse 1)
Sun bleeds out on the port side, another day burns down
They say we're visible from space, here on the edge of town
You were built for just-in-time, and I was built the same
Now I’m just burning precious fuel to hold my place in this dead lane
(Pre-Chorus)
And the salt air’s thick with promises the current can't deliver
I trace your name on foggy glass and watch my finger shiver
(Chorus)
And we're just waiting on the signal, holding our position
Just another vessel in a long line of attrition
This long water's got no memory, the horizon tells a lie
And my whole world's in this steel hull beneath a vacant sky
Waiting on the signal from you...

(Verse 2)
The radio speaks in numbers, projections and delays
It's all a foreign language now, through this curtain of haze
I’m reviewing shipping manifests of all the things we planned
A future packed in careful rows, stuck waiting for your hand
(Pre-Chorus)
And this ceasefire signed in silence has a casualty count rising
It's the faith I had in motion, it’s the hope I'm now revising
(Chorus)
‘Cause we're just waiting on the signal, holding our position
Just another vessel in a long line of attrition
This long water's got no memory, the horizon tells a lie
And my whole world's in this steel hull beneath a vacant sky
Waiting on the signal from you...
(Bridge)
I could try to raise the anchor, I could chart a different course
Run from the blockade in your heart and find a different source
But every container's got your name stamped on it in bright red
I’m just managing the damage from the words you never said

(Chorus)
And I’m still waiting on the signal, still holding our position
I'm fighting off the bitter rust of this prolonged condition
This long water's got no memory, and that’s the cruelest part
It'll wash away the evidence of this devoted heart
Waiting on the signal from you...
(Outro)
Waiting on the signal...
(Sonar pulse synth bass continues)
From you...
(Clean guitar picks a slow, unresolved arpeggio)
Holding my position...
(Synth pads slowly fade to silence, leaving only the pulsing bass, which fades out last.)
About The Song
"Waiting On The Signal" transforms a global news event—the massive, paralyzing logjam of container ships in a key trade route—into a raw, personal metaphor for a relationship in limbo. The feeling of being stuck, visible from a distance but unable to move, perfectly captures the emotional state of waiting for a partner to make a decision. The 'just-in-time' model that broke down globally is mirrored in the 'just-in-time' love that only functions with constant forward momentum. When one person puts up a blockade, the other is left adrift, 'burning fuel' just to stay put. This song applies the Active Agency Mandate by framing this painful pause not as passive sadness, but as the draining, active work of 'holding position' and 'managing damage' while awaiting a signal that may never come.
Production Notes
Genre: Atmospheric Indie Pop / Ambient Folk
Vibe: Widescreen, melancholic, patient, immense.
Instrumentation: The song should be built on a bed of a low, pulsing Moog-style synth bass (the 'sonar ping') that acts as the rhythmic heart. Use lush, washed-out Juno or Prophet synth pads to create a hazy, oceanic atmosphere. The main guitar should be a clean Telecaster or Jaguar tone with plenty of reverb and delay, picking out sparse melodies. Drums should be minimal and electronic, perhaps just a side-stick snare and a deep, soft kick that comes in on the chorus.
Vocals: The lead vocal should be close-mic'd and intimate, almost conversational in the verses (use a Neumann U 87). Add a touch of slap-back delay and a plate reverb. In the chorus, stack the vocals with two harmony layers panned left and right, drenched in reverb to give a sense of scale and loneliness.
Mix Automation: During the bridge, automate the synth pads to swell and become more dissonant, reflecting the internal conflict. In the final chorus, push the vocal reverb and delay sends higher to make the voice feel like it's stretching out across a vast space. The outro should strip elements away until only the heartbeat-like sonar ping remains, fading to complete silence.
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