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Wired For Fenvian Child (YouTube Music, Spotify, YouTube Music, Amazon, Deezer, Tidal and 150+ stores)
Title: Using The Same Old Bricks
[Intro]
(A faint, looped vinyl crackle under a single, dissonant piano key that resolves into a mellow Lo-fi chord. A dry, syncopated 808 drops in.)
Yeah...
The blueprints are ancient
But the site is all new... check
[Verse 1]
Night shift in the lab again, this quiet little room
Got your coffee cup, a relic, casting shadows of platoon
Just one, where there were two, I run the diagnostics now
Mapping all the fault lines where the promises bowed.
I catalogue the artifacts, the sweater that you wore
The keychain with the keys that fit no corresponding door
This isn't archaeology, this is an active site
I'm mining out the bedrock underneath fluorescent light.
[Pre-Chorus]
I pull the ancient coding from the DNA of us
Unravel every sequence, turn the sacred into dust
But every single particle remembers its design
So I gotta get creative with what's yours and what is mine.
[Chorus]
I'm building something new, using the same old bricks
Another lonely night of architectural tricks
This foundation's shaky but the framework's my design
Yeah, I'm building something new, from what you left behind
Building something new, using the same old bricks
A wall against the memory, the cruellest of the scripts
Pouring my own concrete 'til the structure feels like mine
Yeah, building something new... and trying to feel fine.
[Verse 2]
I lay the memories out like Lego, color-coded by the year
The reds for all the fighting, the blues to hold the fear
The yellow for that one trip, the greens for every start
And now I'm pulling circuits from a mainframe of a heart.
I’m the foreman and the demo crew, I swing the wrecking ball
With surgical precision, taking pictures off the wall
I catalog the laughter, the pressure, and the pull
And repurpose every feeling 'til the emptiness is full.
[Pre-Chorus]
I pull the ancient coding from the DNA of us
Unravel every sequence, turn the sacred into dust
But every single particle remembers its design
So I gotta get creative with what's yours and what is mine.
[Chorus]
I'm building something new, using the same old bricks
Another lonely night of architectural tricks
This foundation's shaky but the framework's my design
Yeah, I'm building something new, from what you left behind
Building something new, using the same old bricks
A wall against the memory, the cruellest of the scripts
Pouring my own concrete 'til the structure feels like mine
Yeah, building something new... and trying to feel fine.
[Bridge]
There's a window where a portrait used to be
I'm facing it east so the first light's just for me
The plumbing groans a melody that I don't recognize
I'm evicting your reflection from the mirror of my eyes
I'm the sole proprietor of this reconstructed space
Learning the new angles, and setting my own pace
This isn't moving on, no, that's a passive kind of lie
This is active demolition... beneath a brand new sky.
[Outro / Chorus variation]
Building something new, using the same old bricks...
(Yeah, the same damn bricks)
Another lonely night of my architectural tricks...
This foundation's mine now, and the framework fits...
Yeah, building something new... from a love that doesn't fix.
Just... brick by brick.
(The 808 fades, leaving just the sound of vinyl crackle and a final, resolved piano chord.)
About The Song
“Using The Same Old Bricks” translates a cutting-edge scientific breakthrough into the deeply human process of emotional reconstruction. Inspired by the news of scientists using resurrected ancient proteins as “molecular Legos” to build new nanomaterials, the song reimagines this process as a metaphor for recovering from a devastating breakup. The protagonist is an emotional scientist, their apartment a laboratory, and the shared memories are the “ancient proteins” that must be carefully deconstructed. They are actively sorting through the wreckage of the past, not to erase it, but to repurpose it—using the same old bricks of shared history to build a new, solitary identity. The musical style fuses the confrontational, rhythmic intensity of Kendrick Lamar’s flow with the narrative-driven, melancholic core of a country song like Shaboozey's, creating an anthem of defiant self-engineering.
Production Notes
Vocals: A dry, close-mic vocal performance using a Neumann U 87. The main vocal should feel intimate and upfront, almost claustrophobic, as if recorded in a small room. Minimal reverb, but heavy use of compression (like an 1176) to bring out the texture and percussive nature of the consonants. Ad-libs and backing vocals should be panned hard left and right, with slightly more ambience.
Instrumentation: The track is built on a bed of warm vinyl crackle to signify 'ancient' material. The beat is driven by a syncopated, booming 808 with a short decay, hitting hard but not lingering. The main melodic element is a slightly melancholic, lo-fi piano riff, filtered to sound sampled. A subtle, sub-bass synth should follow the 808's root note to add weight.
Arrangement: Keep it sparse. The focus is the lyrical narrative. Let the 808 and kick drop out in the bridge to create a moment of stark vulnerability, with the vocals and the quiet piano carrying the emotional weight. The beat should crash back in for the final outro, but feel more resolved and less aggressive. Automate the volume of the vinyl crackle to swell slightly in the intro and outro.
Performance: The delivery in the verses needs to be rhythmic and almost breathless, cramming syllables together in a Kendrick-esque fashion to convey frantic, obsessive work. The chorus should be more melodic and anthemic—a weary but determined mantra. The bridge demands a shift to a more spoken, reflective tone before building back up.
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