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Wired For: 🎧 Fenvian Child
(`NO COVERS`)
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This Unwarranted Reply
(Verse 1)
I drew the chalk outline on the floorboards
Filed the final reports, ignored the awards
Called the hour, minute, second that your signal died
Signed the treaty on the silence I have held inside
Did the autopsy myself, it was a clean break
Closed the case for goodness sake.
(Pre-Chorus)
And I built a fortress from the quiet I designed
Every door is locked, every window's painted blind
But there’s a low hum in the walls, a current underground
A single server spinning with no one else around.
(Chorus)
My heart's a disconnected device, cold as a tile
But the motherboard still fires when you flash across the file
No, this isn't healing, it's a terrifying twitch
A voltage spike inside the kill switch
It's just a cold, unwarranted reply.
(Verse 2)
I ran the diagnostics on my sanity, my time
All the system outputs read 'no lingering crime'
Scrubbed the cache, deleted logs, I severed every thread
Unplugged the tangled, useless wires inside my head
I wage a war against the pulse I shouldn't feel
And fight the data proving you were real.
(Pre-Chorus)
This fortress made of quiet begins to crack and strain
Beneath the microscopic signal of your name
'Cause there's a low hum in my bones, a current in the grey
A program running that I can't command away.
(Chorus)
My heart's a disconnected device, cold as a tile
But the motherboard still fires when you flash across the file
No, this isn't healing, it's a terrifying twitch
A voltage spike inside the kill switch
It's just a cold, unwarranted reply.
(Bridge)
Do I pull the final breaker, do I let the circuit arc?
This half-life that you left me just illuminates the dark
Is it living? Is it breathing? Am I just a flawed design?
Your memory’s a neuron that was never truly mine
And I can’t tell if it’s a comfort or a curse inside my bed...
Are you trying to reanimate the dead?
(Outro)
Unwarranted...
This cold reply...
Unwarranted reply...
Reply... re... ply...
(sound of a signal flatlining and cutting to silence)
About The Song
This track takes its metaphorical core from the recent scientific breakthrough where limited cellular function was restored in brains hours after death. That unsettling concept—something declared dead showing signs of activity—is used here as a powerful metaphor for the aftermath of a profound emotional trauma, like a severe breakup. The narrator has methodically and clinically declared the relationship 'dead,' only to be haunted by involuntary emotional responses, or 'cellular twitches,' whenever a memory is triggered. It's not a rekindling of love, but a disturbing, automated 'reply' from a system that should be offline. The song lives in that uncanny valley of feeling, exploring whether it's better to live with the ghost in the machine or to attempt a final, complete shutdown of those lingering connections.
Production Notes
Vocals: Use a warm, large-diaphragm condenser mic like a Neumann U47, recorded extremely close to capture every breathy, intimate detail. The vocal chain should be high-end: a Neve 1073 preamp for color and a Tube-Tech CL 1B compressor for smooth, transparent control. The verses are delivered in a near-clinical, detached tone. The chorus should be delivered with a quiet, seething intensity. Double-track whispered ad-libs in the pre-chorus and bridge, panning them hard left and right for a disorienting, internal-monologue effect.
Arrangement: A minimalist dark-pop landscape. The foundation is a deep, heavily distorted 808 sub-bass that drops in on the chorus like a punch to the gut. The primary rhythm comes from a sparse TR-808 pattern with crisp snaps and tight, closed hi-hats. Introduce a glitchy, arpeggiated synth sample subtly in the pre-chorus that grows in intensity. The bridge should strip back to just the vocal, a detuned piano motif, and a faint, washed-out synth pad to create a moment of intense vulnerability.
Mix Automation: This is key to the song's atmosphere. Use automated reverb throws on the last word of key lines (e.g., "...reply") to make them dissolve into an eerie space. The stereo field should be dynamic; pan the whisper tracks and percussive glitches unpredictably. Automate a low-pass filter to slowly introduce the bass in the pre-chorus and to suck it out, leaving a vacuum after the final chorus. For the outro, automate a bit-crusher and a stutter-edit effect on the vocal to create the sensation of a digital signal breaking down and failing.
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