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Wired For: 🎧 Fenvian Child
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A Permafrost Kind of Heartbreak
(Verse 1)
Streetlight's humming a tune from last year
Still got your sweatshirt, I'm hiding in here
I mastered the art of holding my breath
A self-imposed winter, a slow-motion death
You said you needed space, you said you needed time
So I built a glacier in this heart of mine
I learned to stop my blood, learned to harden my skin
Didn't realize the world wouldn't wait for me to begin
(Pre-Chorus)
The tectonic plates in my ribcage just groaned
Checked your feed, saw a life I've never known
Is this a bad joke? Is this a cruel trick of the light?
How'd you get a decade older in a single night?
(Chorus)
Well good for you, you're thriving in the heat
Got new friends, new clothes, and a new street
You're living in a century I haven't met
While I'm fighting forty-six thousand years of cold and regret
You engineered a summer from our broken past
On the frozen ground where you left me last
And I just cracked the ice around my eyes to see
You left me in the Pleistocene
(Verse 2)
I preserved every word like a fossil in amber
A perfect specimen of a love to remember
I ran a million drills for the day you'd return
Kept a watch on a world I had to unlearn
You see a picture of me and probably just frown
An ancient relic from a forgotten town
'Cause I'm still managing the chill down in my bones
While you're building empires out of sticks and stones
(Pre-Chorus)
That look in your eyes, it's a future shock stare
Like you're looking at something that shouldn't be there
I must be a glitch in your brand new design
This evolutionary jump just wasn't mine
(Chorus)
Well good for you, you're thriving in the heat
Got new friends, new clothes, and a new street
You're living in a century I haven't met
While I'm fighting forty-six thousand years of cold and regret
You engineered a summer from our broken past
On the frozen ground where you left me last
And I just cracked the ice around my eyes to see
You left me in the Pleistocene
(Bridge)
Was it all a dream? The air we used to share?
The promises you made me? Were you ever really there?
My timeline's fractured, my geology is shot
I am the sole survivor of a world that you forgot
I'm wrestling this silence, holding back the thaw
Defying biological law!
(Chorus)
But good for you, you're loving all that heat!
You don't look back, no you don't miss a beat!
You're living in a century I'll never get!
While I'm paying for forty-six thousand years of your empty debt!
You engineered a heaven from our broken past
The ecosystem you built is moving way too fast!
And I just thawed enough to finally decree
You left me, you left me, you left me in the Pleistocene!
(Outro)
Yeah, you left me in the Pleistocene...
A permafrost kind of... heartbreak screen.
(Sound of cracking ice, then a single, clear piano note that fades into silence)
About The Song
This song finds its emotional core in the startling news of scientists reviving 46,000-year-old nematodes from Siberian permafrost. This event serves as a powerful metaphor for the profound, disorienting experience of emerging from emotional stasis after a devastating breakup. We've all felt it: that sense of being frozen in time while an ex-partner moves on with jarring speed. The song channels this whiplash through the raw, driving energy of artists like Olivia Rodrigo, translating a biological state of suspended animation ('cryptobiosis') into a human one. The protagonist didn't just passively feel numb; they actively 'built a glacier' in their heart to survive the heartbreak, a conscious act of self-preservation. When they finally 'thaw,' they wake up to a world—and an ex—that has evolved beyond recognition, making them a living fossil in their own life story. It’s a song about time, betrayal, and the lonely, shocking feeling of being left behind in your own personal ice age.
Production Notes
Genre: Alt-Pop / Indie Rock
Instrumentation: Driving bassline (think Fender Precision with a slight overdrive), punchy and tight drum kit (heavy on the kick and snare, crisp hi-hats), slightly distorted rhythm guitar (Fender Jaguar/Jazzmaster), and a lead synth that provides eerie, crystalline textures in the background. A single, clean piano for the outro.
Vocals: The performance is key. The verses should feel tight, rhythmic, and almost claustrophobic. The pre-chorus builds tension with a rising inflection. The chorus needs to be screamed-sung with raw, unpolished passion and angst. Employ a vocal chain with a tube mic (like a Neumann U47 clone) into a clean preamp (Neve 1073) and then parallel compression to keep the intimacy in the verses but allow the chorus to explode. Minimal reverb, focusing on a tight, in-your-face sound.
Mix Automation: During the verses, keep the mix tight and centered. In the pre-chorus, automate a stereo widener on the guitars and synth pads to build space. For the chorus, everything should slam in—guitars panned hard left and right, bass loud and proud up the middle, and stacked/doubled vocals to create a powerful wall of sound. In the bridge, pull everything back except for a filtered vocal and a pulsing synth, creating a moment of vulnerability before the final chorus explodes back in, even louder than before.
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