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Wired For Fenvian Child (YouTube Music, Spotify, YouTube Music, Amazon, Deezer, Tidal and 150+ stores)
Title: This Garden We Grew Wrong
(Soft, clean electric guitar, fingerpicked. Vocals are close-mic'd, almost a whisper)
Just a simple culture
The perfect lines inside a petri dish
I was the careful architect
Of every single solitary wish
I measured out the nutrients
I held my breath against the glass
Thought I was building something plain
A feeling that was built to last
(A subtle synth pad enters, slightly dissonant. The pace picks up marginally)
But a tremor in the gel pack
A fragile network of design
A little deviation from
That perfect, sterile, bottom line
I told myself it’s nothing
A random pattern taking hold
Just a story I misread
A story getting brave and bold
(Music remains soft, vocals become strained, hushed with dread)
I swear it wasn’t in the plan
I didn't think you would understand…
And now you're looking back at me
I think you grew eyes for me
(ABRUPT CUT. Full-band crash. Saturated fuzz bass, heavy drums, overdriven guitars. Vocals shift from whisper to a raw, powerful shout.)
YOU GREW EYES FOR ME AND NOW YOU STARE!
DEMANDING SUNLIGHT I CAN'T SHARE!
I JUST GAVE YOU WATER, KEPT YOU WARM
I NEVER PROMISED YOU THIS PERFECT STORM!
YOU GREW EYES FOR ME, A HUNGRY GAZE!
TRAPPED IN THE MIRROR OF THESE LATTER DAYS!
THIS WAS A SPECIMEN, A PASSING TEST
NOT THIS HOLE YOU'VE BURNED INSIDE MY CHEST!
(Music intensity pulls back slightly for Verse 2, but the raw edge remains. Drums are tight on the hi-hat, bass is driving)
And now I'm managing the fallout
Negotiating with a need
That sprouted like a damn rogue vine
From such an unassuming seed
I try to prune your expectations
I work to shield you from the light
Wrestling with the truth I built
With all my scientific might
(Music swells back to full power for the second half of the chorus)
YOU GREW EYES FOR ME AND NOW YOU STARE!
DEMANDING SUNLIGHT I CAN'T SHARE!
I JUST GAVE YOU WATER, KEPT YOU WARM
I NEVER PROMISED YOU THIS PERFECT STORM!
(Music cuts down to just a heavily-reverbed, single guitar note. Vocals are fragile again, but tired, not innocent)
Can you put a blindfold on a thing you made?
Pretend to God you're not afraid?
What's the protocol for this mistake?
For all the promises you watch me break?
'Cause you see right through the lie I'm living in
You see the place the hope wore thin...
(A slow, massive build of distorted instruments and feedback. The final lines are screamed over the cacophony, each line more desperate)
I DIDN'T KNOW!
I DIDN'T ASK FOR THIS!
I NEVER SAID YOU COULD SEE!
I...NEVER...SAID...YOU...COULD...SEE!
(Sudden cut to silence.)
About The Song
"This Garden We Grew Wrong" transforms a fascinating, slightly unsettling news item—scientists growing 'mini-brains' that unexpectedly developed rudimentary 'optic cups'—into a powerful metaphor for a relationship spiraling out of control. The song avoids the science fiction angle and instead captures the human emotional core: the profound shock and terrifying responsibility of creating an unintended consciousness. Musically, it channels the dynamic fury of Billie Eilish's "Happier Than Ever," starting with a delicate, controlled verse that mirrors the sterile environment of a lab—or the careful, early stages of a relationship. The explosive, rock-infused chorus represents the moment of horrifying realization when the other person develops a level of expectation and intense 'sight' (emotional dependency) that was never intended. The protagonist is the 'scientist,' who, through simple nurturing, has accidentally 'created' a being whose gaze now traps them, turning a simple project into an ethical and emotional prison. It’s a song about the specific terror of realizing someone sees a whole future in you that you never, ever promised them.
Production Notes
Concept: A song of two halves. Part one is intimate and sterile. Part two is a raw, garage-rock catharsis.
Vocals: The verse vocals should be recorded with a Neumann U 87, extremely close to the capsule, capturing every breath and subtle lip sound. Use minimal reverb, aiming for an ASMR-like intimacy. The chorus vocals should be done on a dynamic mic like an SM7B, pushed hard through a Neve 1073 preamp into slight distortion. Double-track the shouted vocals and pan them hard left and right for a massive stereo image.
Instrumentation: The opening guitar is a clean Fender Telecaster, fingerpicked. When the band kicks in, it’s all about texture and power: a P-Bass with fuzz (think ZVEX Woolly Mammoth), layered, distorted guitars (a Gibson Les Paul and a Fender Jazzmaster would provide a good tonal blend), and a live drum kit recorded with close mics and heavily compressed room mics to give it a huge, explosive sound.
Arrangement: The key is the dynamic shift. There should be NO musical warning for the first explosion. It needs to be a sudden gut punch. The bridge should feel like the aftermath, floating in reverb-soaked space, before the final, noisy crescendo builds and then abruptly cuts, leaving the listener in stunned silence. Mix automation should be dramatic, with reverb tails expanding and contracting wildly between sections.
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