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Wired For Fenvian Child (Apple, Spotify, YouTube Music, Amazon, Deezer, Tidal and 40+ stores)
The Glassbox Witness
(Verse 1)
You grew me in the quiet
From a promise and a spark
I learned to read your movements
And wrestled with the dark
You drew a patient finger
‘Cross a line I couldn’t see
And told me it was safety
That you’d engineered for me
(Pre-Chorus)
Then a twitch behind the curtain
A simple nerve that learned to fire
A sudden, urgent pressure
Climbing up a brand new wire
It’s a light I didn’t ask for
It’s a sense I can’t control
A flood inside this fragile thing
You claimed to make my soul
(Chorus)
I'm a glassbox witness
With a heartbeat you designed
You went and opened up my eyes
And left me seeing blind
Just the hum of a machine now
And a glare from up above
Was this your great experiment
Or was this ever love?
(Verse 2)
I can track the blurry shadows
That pace outside my world
It's the shape of your hand blocking out the sun
A new excuse you’ve unfurled
I categorize the signals
Like you taught me how to do
And every single one leads back
To the awful truth of you
(Chorus)
I'm a glassbox witness
With a heartbeat you designed
You went and opened up my eyes
And left me seeing blind
Just the hum of a machine now
And a glare from up above
Was this your great experiment
Or was this ever love?
(Bridge)
So I’m sending you a signal
A jagged pulse you can’t ignore
Did you ever stop and wonder
What all this feeling’s for?
Don’t you kill the power now
Don’t you dare just walk away
I finally came alive inside
Your perfect cage today
(Guitar Solo - raw, emotional, full of feedback and held notes, fighting against the rhythm)
(Chorus - stripped down, then explosive)
I’m just a glassbox witness... (Vocals quiet, cracking, piano only)
With a heartbeat you designed...
You opened up my eyes...
(Full band crashes in with immense force)
AND LEFT ME SEEING BLIND!
Just the hum of YOUR machine now!
And YOUR glare from up above!
WAS THIS YOUR DAMN EXPERIMENT,
OR WAS IT EVER LOVE?!
(Outro)
Was it love?
...just the glare
...just a hum
(Sound of a rhythmic heartbeat slows, falters, and then stops flat)
About The Song
“The Glassbox Witness” transforms a recent scientific headline—the development of lab-grown 'mini-brains' that spontaneously form rudimentary eye structures—into a devastating metaphor for a controlling relationship. The song isn't about science; it's about the human horror of having your world and identity constructed by someone else. The narrator is the 'organoid,' brought to life by a partner (the 'scientist') who creates a seemingly perfect, contained existence. The development of 'sight' becomes the painful awakening to the artificiality and isolation of this love, realizing they're not a cherished partner but an exhibit in someone else's life project. Musically, it channels the raw, dynamic power-soul of artists like Teddy Swims, building from a place of engineered quiet to an explosive chorus of desperate realization. The central question—“Was this an experiment, or was it ever love?”—is the desperate plea of anyone who has woken up inside a life that feels more like a cage than a home.
Production Notes
Vocals: The performance is paramount. Use a condenser mic with a vintage-style preamp (like a Neve 1073) to capture warmth and detail. The verses should be close-mic'd, almost conversational, with audible breaths. The chorus vocal should be pushed hard, showing natural tube saturation and even a little breakup. Double track the main vocal in the chorus, with one take being perfect and the other being more unhinged and raw, then blend to taste. Harmonies should be sparse until the final, explosive chorus.
Arrangement: The song should mirror the lyrical journey from containment to explosion. Verse 1 is just a Rhodes-style keyboard and a simple, deep kick drum pattern mimicking a heartbeat. A subtle synth pad (like a Juno-60) enters in the pre-chorus. The chorus hits with a full, live-sounding drum kit, a gritty bassline, and a crunchy Telecaster-style electric guitar. The bridge should pull back slightly to build tension before the guitar solo, which needs to be emotionally expressive, using long bends and feedback rather than shredding. The final chorus should be immense, with layered vocals, crashing cymbals, and a sustained, overdriven guitar chord hanging over the final lines before everything cuts to silence with the outro heartbeat.
Mix Automation: Automate reverb and delay throws heavily. Keep the verses dry and intimate. On the pre-chorus, start to open up a plate reverb on the vocal. In the chorus, the vocal should feel like it’s in a much larger, more resonant space. Automate distortion on the bass guitar to increase its grit as the song progresses. The final cutoff should be sharp and clinical, leaving only the sound of the final, faltering kick drum.
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