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Wired For Fenvian Child (Apple, Spotify, YouTube Music, Amazon, Deezer, Tidal and 40+ stores)
(Intro - Groovy, filtered bassline under a simple four-on-the-floor kick)
(Verse 1)
Running diagnostics on the mood in this room
The air is thick with cheap perfume and low-lit gloom
Saw you coming from across the bar, a calculated glance
Got to choose the right material before I take a chance
Felt the voltage rising, a current in my veins
Deciding on the texture that best entertains
(Pre-Chorus)
A little flick behind the eyes
I dial a new design
A prototype for just tonight
And leave the old me behind
(Chorus)
I change the color, change the grain
A little current, kills the strain
From rigid to relaxed again
I’m in my electric skin again
Set the tension, change the hue
To whatever gets me through
Yeah, this design is bulletproof
'Cause I wrote the code for me and you
(Verse 2)
Last night I was velvet, easy to the touch
Leaning in and listening, never saying much
Tonight it's all armor, a sharp and polished sheen
You can look but not too close, you know just what I mean
I’m weaving up a fortress you won't penetrate
I set the stiffness setting, control my own fate
(Pre-Chorus)
A little flick behind the eyes
This ain't no weak disguise
A prototype for just tonight
And every star realigns
(Chorus)
I change the color, change the grain
A little current, kills the strain
From rigid to relaxed again
I’m in my electric skin again
Set the tension, change the hue
To whatever gets me through
Yeah, this design is bulletproof
'Cause I wrote the code for me and you
(Bridge)
Don't you worry 'bout the schematic
This self-defense is automatic
Some might call it inconsistent
I just call it purpose-built and persistent
Underneath the woven wires and the firmware I install...
Am I still me at all?
(beat) ...Yeah. And I'm standing tall.
(Chorus)
I change the color, change the grain
A little current, kills the strain
From rigid to relaxed again
I’m in my electric skin again
Set the tension, change the hue
To whatever gets me through
Yeah, this design is bulletproof
'Cause I wrote the code for me and you
(Outro)
In my electric skin...
(Yeah, this skin I'm in)
Let the show begin...
(Oh, the skin I'm in)
Dial it out, dial it in...
(Fades with bassline and ad-libs)
About The Song
"Electric Skin I'm In" transforms a cutting-edge scientific development—a 'smart fabric' capable of altering its color and stiffness—into a powerful metaphor for modern social survival. The song is not about technology, but about the deeply human practice of code-switching and emotional adaptation. It channels the confident, breezy funk-pop of artists like Sabrina Carpenter to portray this adaptation not as a weakness or a sign of inauthenticity, but as a deliberate, controlled act of self-preservation and empowerment. The protagonist is the master of their own presentation, consciously changing their 'texture' and 'color' to navigate different environments. It’s a celebration of the resilience and strategic intelligence required to thrive in a world that constantly demands different versions of us.
Production Notes
Vocals: The lead vocal should be captured with a high-end condenser mic like a Neumann U87 for clarity and presence. The vocal chain should use tight compression (like an LA-2A) to create a consistent, in-your-face feel. The delivery is crucial: confident, almost conversational, with a playful, detached cool. Backing vocals should be layered, panned wide, and slightly processed to create a sleek, modern chorus effect.
Arrangement: The track is anchored by a syncopated, melodic funk bassline that acts as a central hook. Drums should be clean and punchy, a blend of a live feel with a LinnDrum or DMX-style machine-like tightness. Sparse, stabbing synth chords (Juno-60/106 emulation) and a clean, Nile Rodgers-esque guitar chuck buried in the mix add rhythmic texture. The pre-chorus should feel tighter, maybe with a filter sweep, to build tension that releases into the wide, full sound of the chorus.
Mix: The vocal is king, sitting decisively on top of the mix. The kick drum and bass must be locked together perfectly to drive the groove. Use automation to bring synth flourishes and guitar parts in and out, keeping the arrangement dynamic and engaging. A touch of slapback delay on the vocals in the pre-chorus can enhance the feeling of internal monologue before the confident chorus vocal takes over.
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