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Wired For Fenvian Child (YouTube Music, Spotify, YouTube Music, Amazon, Deezer, Tidal and 150+ stores)
Don't Bring Me Gentle Rains
(Verse 1)
I built my heart from concrete and right angles
A perfect fortress, flawless and severe
The gutters choked with unswept, fallen tangles
And every season washed away from here
One drop of you became a flash flood runnin'
Carved canyons where a hairline crack would show
I built it strong to keep the world from comin'
But didn't see I kept the good from growin'
(Pre-Chorus)
Yeah, I took a hammer to the hardened ground
Ignored the shatter and the achin' sound
'Cause there's a different kind of livin' I have found...
(Chorus)
So don't bring me gentle rains or morning mist, love
Give me the hurricane, the thunder's kiss
I'm tearin' up the pavement in my soul, you see
I'm ready for the storm to set me free
My love is a sponge now, baby, wring it out and try me
Don't bring me gentle rains and pass me by
(Verse 2)
I used to measure worth in what deflected
The polish shined on surfaces kept clean
But every surface, I have since dissected
To cultivate the fertile ground between
Now green things growin' in the cracks I made
They're messy, wild, and drinkin' up the blue
I signed a ceasefire with the sky, unafraid
Of holding all the overflow of you
(Pre-Chorus)
Yeah, I traded perfect lines for thirsty roots
The bitter harvest for the sweeter fruits
'Cause now I understand what love computes...
(Chorus)
So don't bring me gentle rains or morning mist, love
Give me the hurricane, the thunder's kiss
I'm tearin' up the pavement in my soul, you see
I'm ready for the storm to set me free
My love is a sponge now, baby, wring it out and try me
Don't bring me gentle rains and pass me by
(Bridge)
Oh, the drought was long, I don't forget the dust
That empty basin of a hollow chest
But you can't save the water if you don't learn to trust
The levy breakin' deep inside your breast
I hold the memory of sun-baked clay
So when your deluge comes to wash the plains
I'll drink it down to save for a dryer day
(Chorus)
So don't you bring me gentle rains or morning mist, love
Bring me the hurricane, the thunder's kiss!
I'm tearin' up the pavement in my soul, you see
I'm ready for the storm to set me free!
My love is a sponge now, baby, wring it out and try me
Don't bring me gentle rains and pass me by!
(Outro)
Just let it rain
Let it rain down
I'll drink it down
On this thirsty ground
Yeah, just let it rain...
About The Song
This song uses a powerful, real-world concept as a metaphor for personal growth. Inspired by news of cities replacing impermeable concrete with 'sponge' infrastructure (green spaces, wetlands) to manage extreme weather, 'Don't Bring Me Gentle Rains' channels that idea into a story of emotional transformation. The protagonist moves from being emotionally 'concrete'—rigid, deflecting feelings, and prone to destructive outbursts ('flash floods')—to actively 'tearing up the pavement' of their soul. They are choosing vulnerability, becoming a human 'sponge' capable of absorbing life’s intense storms (grief, love, change) and holding that energy to nourish themselves through times of drought. Musically, it takes cues from the soulful, bass-driven minimalism of artists like Hozier, where the groove creates a space for a deeply personal and resonant vocal performance. It's a song for anyone who has done the hard work of breaking down their own walls to truly live.
Production Notes
Vocals: A rich, close-mic'd baritone lead (Neumann U47-style tube mic). The performance should be intimate in the verses and build to a powerful, cathartic belt in the final chorus. Vocal chain: Tube mic -> Preamp with light saturation -> Light compression (2:1 ratio) -> Plate reverb. Wide-panned, layered 'oohs' for backing vocals in the chorus to add space and soul.
Instrumentation: The driving force is a Fender P-Bass with flat-wound strings, playing a syncopated, groovy line that sits perfectly in the pocket. The drum beat should be simple and solid (dry kick, fat snare). A clean Telecaster provides rhythmic stabs and sparse licks, staying out of the way of the vocal. A Wurlitzer or Rhodes piano should sneak in during the bridge and final chorus, adding a warm, atmospheric pad.
Mix: This is a bass and vocal-forward mix. The bass should be felt as much as heard. The kick and snare are the foundation, dead center. Everything else creates texture around the core. Use automation to push the reverb sends and instrument levels in the final chorus, making it feel expansive and explosive before pulling back for the intimate outro. The goal is raw, authentic, and emotionally dynamic.
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